james tylor.
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    • daguerreotypes (new) >
      • the darkness of enlightenment >
        • the darkness of enlightenment I
        • ​the darkness of enlightenment II
      • we call this place... kaurna yarta (new)
      • te moana nui
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      • territorial encounters
      • karta (the island of the dead)
      • terra botanica >
        • terra botanica I
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      • decookolisation
      • voyage of the waka
      • whalers, sealers and land stealers
      • hopes, dreams and nightmares
      • deheading state
      • act like a man
      • these are our objects
    • collodion (new) >
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      • past the measuring stick
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      • nguya: the australian smallpox pandemics
      • economics of australia >
        • economics of minerals
        • economics of water
      • turalayinthi yarta
      • the forgotten wars >
        • the forgotten wars I
        • the forgotten wars II
      • kangaroo island (new)
      • aotearoa my hawaiki
      • from an untouched landscape >
        • (deleted scenes) from an untouched landscape
        • (erased scenes) from an untouched landscape
        • (removed scenes) from an untouched landscape
        • (vanished scenes) from an untouched landscape
      • un-resettling >
        • un-resettling (dwellings)
        • un-resettling (happenings)
        • un-resettling (hauntings)
        • un-resettling (huntings)
        • un-resettling (videos) >
          • un-resettling (dome hut with wind break)
          • un-resettling ( a frame hut )
          • un-resettling (dome hut in field) video
    • video ( new ) >
      • karta pintingga
  • food
    • mai : kaurna contemporary food >
      • mara murdumurdu flatbread
      • mai tarni surf food
      • mai yarlu sea food
      • mai wauwa beach food
      • mai kauwa cliff food
      • mai pari river food
      • mai pangka lake food
      • mai yatala swamp food
      • mai pudna waterhole food
      • mai wama tarnta southern plains food
      • mai nantu wama northern plains food
      • mai tamba flat food
      • mai karra wirra red gum forest food)
      • mai yaki valley food
      • mai mukurta mountain food
    • rations : australian army food
  • design
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      • art collector issue 71
      • art collector issue 78
      • art collector issues 88
      • art collector melbourne art fair
      • artlink vol 34 no 2
      • artlink issue 38
      • art monthly issue 291
      • art monthly issue 311
      • art zone issue 58
      • aspire issue 8
      • griffith review issue 63
      • meanjin vol 74 no 1
      • national gallery of victoria
      • the adelaide review issue 447
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​Critical Indigenous Photographic Exchange (New)

This tintype CIPX series celebrates Indigenous excellence in the Australian arts industry by photographing leading Indigenous curators, arts workers and artists who are working in national art museums in 2021. The Critical Indigenous Photographic Exchange (CIPX) is an international Indigenous portraiture photographic project. The CIPX project encourages Indigenous photographers from around the world to photograph members of their local Indigenous communities using the 19th century tintype process. My contribution to the CIPX project attempts to re-contextualise the early photo-documentation of Aboriginal people by European anthropologists in the 19th and early 20th century in Australia. The CIPX portraits differ from the early photographic portraits of Aboriginal people taken by European anthropologists in ways that give agency and respect to the contemporary people. European Anthropologists would generally control the visual representation of the Aboriginal sitter and the original photograph would be kept by the photographer after it was taken. The CIPX project allows the person sitting for the photograph to have the control of how they would like to be represented in the photograph and the original tintype photographs from the CIPX project is given to the sitters to keep. The CIPX project was first created by artist Will Wilson of Dine (Navajo) heritage, who is based in Santa Fe, New Mexico, USA.
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